Dated 1711. Third bust, dies ↑↓. Obv: with ANNA.DEI.GRATIA. legend. Rev: crowned cruciform shields with sceptres in angles, date 17-11 at English/Scottish arms and .MAG.BRI.FR ET.HIB REG. legend.

Dated 1764. Second bust, dies ↑↓. Obv: with GEORGIVS.III.DEI.GRATIA. legend. Rev: crowned shield with date 17-64 above and .M.B.F.ET.H.REX.F.D.B.ET.L.D.S.R.I.A.T.ET.E. legend.

Dated 1885. Young head with M below for Melbourne mint, dies ↑↓. Obv: with VICTORIA D:G: BRITANNIAR:REG:F:D: legend. Rev: St George and dragon with date 1885 in exergue.

Circa late 1st century BC. Obv: cross of lines and opposed crescents, in opposite corners pellet and annulets and crescent, in other corners three triplets. Rev: horse right, wheel above and below, leaf and annulet before.

Circa late 1st century BC. Obv: crooked cross of lines, two pellets in annulets, below two crescents joined by a larger pellet in annulet. Rev: stallion right with plaited tail, palm leaf and rosette above, leaf and annulet before, flower below.

Circa 1st century BC. Obv: wreath pattern. Rev: horse right with symbols.

Circa 810-815 AD. Group II, Transitional Monogram Type. Obv: facing tonsured bust of Archbishop Wulfred with pellet to each side and +VVLFREDI ARCHIEPISCOPI legend. Rev: DOROBERNIA C monogram with +SAEBERHT MONETA legend for the moneyer Sæbeorht at Canterbury mint.

1461-1485 AD, Half ryal (= 5 shillings). First Reign, Light Coinage, Type V, mm none/rose, London mint. Obv: King standing in ship with +EDWARD DI GRA REX ANGL FR legend. Rev: rose upon radiate sun at centre of main cross with DOMINE NE FVRORE TVO ARGVAS ME legend.

Magna Gracia, circa 4th century BC. A large, well-painted red figure ware bell krater with restrained use of white slip detailing; laurel motif encircling rim; meander motif along groundline; tongues around handles; palmette complex beneath either handle. Side A: winged Nike seated on rocky outcrop holding phiale with fillet attached, in front a draped female holding tambourine in right hand, thyrsus in her left, laurel branch, rosettes and grape clusters in field. Side B: two draped youthful athletes facing, both with staffs, fillet and palmette complex in field.

3rd century AD. Superbly modelled solid cast, large standing figure of Aphrodite with columnar base, holding and looking into a (separately cast) circular mirror in her right hand. and with a pomegranate in her left hand.

2nd-3rd century AD. A rare type of zoomorphic plate brooch in the form of a hippocamp, a horse with a fish's tail; the head moulded in the round with prominent ear and deep-set circular eye, snub nose and open mouth; the mane indicated by a series of incised lines along the back of the neck; lighter texturing indicated by striations on the chest, back, stomach and tail; the forelegs of the beast modelled as if galloping, with two fins behind; a medial panel of grey-white enamel following the outline of the body, subdivided with vertical blue stripes and three pellets; a bilinear transverse collar developing into a four-part tail, the two larger elements lobed and filled with panels of grey-white enamel.

2nd-3rd century AD. A zoomorphic plate brooch in the form of a frog with splayed limbs, its D-shaped head provided with prominent lugs with black glass eyes; on the frog's arched back two rectangular panels of yellow-grey enamel with inset white enamel points.

8th-11th century AD. A Viking finger ring , the band comprising six thick (about 1.5mm) wires tightly plaited; the wires thicker at the centre to provide an expanding band, fused at the base.

10th-12th century AD. An aviform mount comprising a sharply beaked head extending to a curved D-section neck with herringbone patterning along the sides, its back and tail decorated with a pattern of inlaid yellow enamel lozenge panels, between its vestigial legs a fine transverse pin allowing it to be attached to a drinking horn.

Circa 14th century AD. A 'stirrup' ring, set with a cabochon garnet.

Circa 15th century AD. The band flat internally and dished externally with an external inscription in Black Letter script reading 'DVNTRE E JOYE'. The words separated by floriate engraving and a quatrefoil.

Circa 16th century AD. A tall silver-gilt thimble, the body divided into four triangular panels; the top bearing an engraved Tudor rose with letter 'M' at centre; the lower rim inscribed +AMORE VINCIT OMNIA (Love Conquers All).

1254-1261 AD. A lead seal from a papal Bull of Alexander IV (Rinaldo Di Segni); First Type. Obv: facing busts of Saints Paul and Peter with SPA SPE inscription above and long cross between. Rev: ALE XANDER PP IIII inscription in three lines.

17th century AD. A finger ring inscribed internally in italic letters 'In Love Love abide till death devide'; the maker's mark 'TS' within a rectangular cartouche.

Circa 18th century AD. A gold finger ring with a legend inscribed around the interior in an italic hand: ‘Hurt not that [heart] whoes Joy thou art’, the word ‘heart’ represented by a heart-shaped ideogram, and the ‘s’ of ‘whoes’ in its long form.